Reviews

  • Classical Music Magazine

    22 April 2010

    Ample vigour in the vivace movements, yet space is allowed to capture the witticism in a turn of phrase; when the mood darkens in the adagio of No 2 the players provide a rich, Gypsy-inflected hues. These are performances to treasure and one awaits eagerly the next release from the ensemble's new label.

  • Musical Pointers

    22 February 2010

    The Sacconi Quartet is well up with their competitors, and their recorded account of the marvellous "Tost" Op. 54 set, with extended flights of fancy weaved for the eponymous commissioning merchant/violinist, has all the feeling of live music-making that cannot be taken for granted in studio recordings. Hearing three short samples on their website should convince you.

  • Musicweb International

    22 September 2009

    The performance of the Haydn Quartet was a superb achievement ... In the first movement, an amiable Allegretto leading into the medium paced allegro, they played with an effortlessness that shaded the transition from one tempo to the other smoothly, ensuring that there should be no jolt as the music changed. The slow movement is one of Haydn’s most deeply felt, and here the players clearly grasped all of the music's profundity. The minuet and trio were delightful, especially the trio which is led by the cello, and realising that the finale, although marked Presto, can lose some of its character if played too quickly, the quartet wisely chose a steadier pace which allowed them to bring out all of the humour and joy in the piece. The Sacconis have been together since 2001 and on the strength of this performance they deserve to go far. Who knows what they might achieve on reaching 70 themselves?

  • The Times

    22 February 2009

    In this performance by a fine young group with a beautiful blend of sound, the result was highly engaging.

  • The Spectator

    22 October 2008

    The young Sacconi Quartet rose wonderfully to such demands with sustained chording of great power and sweetness whose every nuance filled the sizeable space to its edges, creating the illusion of intimate closeness.

  • York Press

    22 March 2008

    The Sacconis have been together barely seven years, but there are wise heads on these young shoulders. Not for them the razzle-dazzle that so often tempts youthful groups. Of course they have solid techniques, but the music, rather than their own personalities, seems always uppermost in their approach.

    The mood was intimate, wonderfully devoid of overstatement. The slow movement was utterly riveting, night music in the Bartok vein. The Sacconis are definitely here for the long term.

  • Frankfurter Allgemeine Zeitung

    22 October 2007

    In Haydn's Op.50 No.1 they maintained an excellent balance and a clear, identical articulation, which developed into a gentle relationship between tension and relaxation by means of many, neatly elaborated details. In a proper English manner, they also made the audience listen carefully to the Beethoven Quartet Op.18 No.4.Dynamically highly sophisticated…it was altogether delicately realized in the Viennese Haydn tradition.

The festival sensation, the young Sacconi Quartet completely bowled over a packed audience. The chemistry between these four young players is tangible and magical.The Scotsman
A beautiful blend of sound ... highly engaging.The Times
An exceptional ensemble ... a unanimous sense of musical breath and a meticulous attention to detail.Musical Opinion
A quartet of genuine substance.The Daily Telegraph
Great power and sweetness ... intimate closeness.The Spectator
Enviable technical prowess.The Strad
The finest I have ever heardEdward Clark, British Sibelius Society
A triumphant performanceThe Observer